The Lost Hands of India
The old world does not end with a bang or a riot of sound. It slips away soft-footed, like sugar swirling into warm tea—sweet for a moment, then gone without a trace. In the old bazaars, where the sun filtered through lattice roofs like sifted grain, there used to be a man who sold bangles. He called out in that rhythmic singsong that echoed across courtyards like the laughter of a household rich in daughters. His voice is gone now. And the lanes, once littered with women in bright sarees bargaining over glass and colour, lie silent, paved and drained of memory. In the India that rises now—glass-towered and software-slick, scanning QR codes and air-conditioned into sterility—there is no room for the knife sharpener either, his whetstone wheel clattering behind a rusty bicycle. Now the knives grow blunt and disappear, their edges worn down by years of bread and bone. We don’t sharpen anymore; we replace. There’s no place anymore for the puppet master with his wooden stringed ...